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青春乐谱上的休止符

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第七章:周末晚上的贝斯课与击弦特训 (5 / 5)
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        “WrongaeacherCaicorrectedherwithoutmercy.“Yourthumbobeparalleltothestring—hitrightatthestfret!Andthespeedinthebackhalfof*CivilWar*—ifyourelyonyourarmstrength,youwon’tstaminutebeforeyourhandcramps.Youhavetolearntoborrowftharing’srebound.”

        Thehourwas,forCra,puremuscletorture.

        Withtimerunningout,theytorethebasslihethree“boss-level”songsisandbuiltthemostprecisetrainingpnpossible:setthemetroo60,folyht-handmeics—thumbstrikespandindex-fingerpullpop—untileverynotecameoutwiththegrainybiteofametalhammerhittingsteel.

        “Thisweek,don’tpysongs.”heendofthehour,TeacherCailookedatCra’srightthumb—alreadyswelling,alreadyhotandred—andhandedherarollofbreathableathletictape.“Gohomeafirst.Iftheskinbreaks,tapeitandkeeppractig.Ohenewcallusgrowsin,yoursoundwillge.”

        ---

        8:30p.m.

        Crawalkedoutoftheinstrumentshopwiththeheavybassonherback.

        Anearly-autumnnightbreezemovedthroughXimending.Herrightthumbthrobbedfaintly—butbehindherlenses,hereyesshhtnessshe’dneverhadbefore.

        Scestudentsweren’tafraidofchallehaformu.

        Nowthatshe’dfouhod—thewaytotrainmusclememory—whatremainedwasonlytime,yeredontopofwillpower.

        Twomonthsfromnow,shewouldmakethoseseniorsuandwhat*absolutelowend*reallymeant.

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